It was a challenge to film the item on Paul Childerley's Bedfordshire driven shoot for this episode of The Shooting Show. It's never easy filming any type of shotgun shooting, and live birds are much less predictable than clays. I've developed a technique of holding the camera to my right eye and zooming until it matches the picture from my left eye, then keeping both eyes open while locking head/camera/neck so they move together. Well, it helps me!
I cheated a bit, if you want to call it that, by setting up a Sony AS15 behind the gun and leaving it running throughout the drive. In the edit, I always had the fallback of a wide shot to cover what I'd missed with the hand-held camera - and I needed it quite a bit!
It's hard to convey the reality of a driven day on video. The birds either look too close or miles away, depending on the lens, angle, etc. If you stop and think about it too hard, the action is all over and it's too late.
Some of the birds on the video look lower - and easier - than they were in real life, a fact that's clearly lost on the couple of sneering commenters who seem determined to give shooting a bad name. All in all, though, I think it turned out quite well for a demanding day's filming followed by a quick turnaround on the edit.